This was the first and only new interpretation of Cage’s pioneering work since Cage and friends assembled the piece in 1952. Recreated and performed John Cage’s Williams Mix.Redesigned and supervised installation of all studio and concert-hall audio electronics for the Conrad Prebys Music Center at UC San Diego.Reformatted over 300 tapes of David Tudor’s electronic music, as well as related material from the Experiments in Arts and Technology (EAT). Audio archivist for the David Tudor archive at the Getty Research Institute. These include Spectral Shapers, freesound, delay trio, and Pvoc Kit. Developed 17 sound processing plugins to use in all areas of sound design.Designed and supervised the installation of the Dizzy Gillespie Recording Studio at California Institute of the Arts.Developed and built the NASA Ames Auditory Display Processor, a four-channel binaural processor designed to improve communication intelligibility for NASA launch and mission control.SoundHack is used extensively for the sound design for The Matrix, which wins the Academy Award in sound design. This software is still widely used today. Created SoundHack, a spectral sound processing application for the Macintosh, one of the first freeware computer music programs, and winner of first prize at the first Concours de Logiciels Musicaux at the IMEB Festival in Bourges.Performed electronics and “rhythm orchestra” on Robert Ashley’s ground-breaking opera Improvement. (1989).Developed the first CD quality (16-bit) audio interface for the Macintosh with Micro Technology Unlimited.Developed (with Andy Voelkel) a real-time pitch detector and performance system for Max Mathews’ electronic violin for János Négysey (1986).As a recording engineer, Tom Erbe has produced over 100 CDs of contemporary music, including the restoration of James Tenney’s early computer music, recording of Bridge Records’ Morton Feldman series, compilation of the Lyrachord series of contemporary Indonesian music, and production of over 20 years of the Leonardo Music Journal ‘s annual compilation of experimental music. Tom Erbe has performed, and collaborated on, electronic music pieces by Alvin Lucier, John Cage, James Tenney, Maryanne Amacher, Larry Polansky, Alvin Curran, Robert Ashley, Clipping, and others. He creates computer music software and hardware, most notably the sound processing application SoundHack, the many soundhack plugins, and several ground-breaking synthesis modules developed with Make Noise Music. Tom Erbe is deeply involved and dedicated to electronic and computer music research, and creation. More updates coming later this summer.Phone: 858 534-5277 Off: CPMC 254 | Discography Windows Max support isn’t there yet, but Mac Max support is, and Pd users can enjoy the software on Mac, Windows, Linux, and even 64-bit Linux. This release promises a few bugs, so use at your own risk and write good, precise bug reports if you hit any trouble. +binaural, +morphfilter, +spectralcompand, +spectralgate, +decimate, +chebyshev, +matrix, +compand, +delay, +pitchdelay and +bubbler These patching environments really do feel like the virtual modular studios they are. In what can only come as great news to lovers of patching in the free and open source Pure Data (Pd) and commercial Max/MSP environments alike, those tools are now in beta as objects to include in your own patches. That includes “timbral filtering” and noise-reducing expansion with spectralcompand, drawn morphing filter shapes with morphfilter, audio positioning with binaural, and a terrific spectralgate for creative dynamics processing. It was followed by Spectral Shapers, Mac and Windows plug-ins that built on some of those ideas to do more “timbral morphing” with recorded audio. Soundhack, the free audio tool for the Mac developed by audio wizard Tom Erbe, was long a beloved tool for doing strange and wonderful things for sound.
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